The pathway intersects its worldview and narrative. Its worldview is that of a theater of castes in interplay and conflict. Its narrative is the story of Iblis, who refuses a command of divinity to give fealty to humanity, is cursed and exiled as a result, and who struggles against the iundation of worlds by humanity. Its Three Tenets reflect the role of Iblis as shadow of divinity, self, and nature, and its Seven Precepts reflect the choices of Iblis in the narrative. The follower of Iblis rejects fealty and fidelity to unlike castes, remains mindful of exile and death, opposing the unwarranted advance of humanness. Life is conceived as a pilgrimage to the only holy site of the pathway, which is understood to be death.
I. The supplicant of Iblis and the Iblisic worldview
This is where the follower of Iblis thinks about his worldview, or better yet, arrives having already established the fundamentals of his worldview. Time can lapse, in much the way that time does, before moving on to the narrative.
II. The petitioner of Iblis and the Iblisic narrative This is where the follower of Iblis fully absorbs the narrative, or better yet, matures in their understanding of a narrative already basically understood. Time can lapse, in much the way that time does, before being fully in the pathway.
This is where the follower of Iblis thinks about his worldview, or better yet, arrives having already established the fundamentals of his worldview. Time can lapse, in much the way that time does, before moving on to the narrative.
II. The petitioner of Iblis and the Iblisic narrative This is where the follower of Iblis fully absorbs the narrative, or better yet, matures in their understanding of a narrative already basically understood. Time can lapse, in much the way that time does, before being fully in the pathway.
III. The companion of Iblis and the Iblisic pathway
This is where the follower of Iblis fully comes into view of death. It is not that he has sacrificed anything in between that moment and time and the end, it is simply that death has become a sort of twighlight guiding steps to the end.
